“The most recent works of Anna Bertuzzi describe restless and silent passages, losing themselves in the oblivion, beyond the end of time. Naked trees sinuously climb up the evening haze, becoming a symbol of complete solitude. Evanescent architectures such as farmhouses and lighthouses are witnesses of hidden presences, moving through traces of atmospheric light in an unknown universe of fluctuating sensations. Enigmas from the past appear as magical stories of distant and vibratile moments.”

Prof. Gianluigi Guarnieri (Art critic and Professor at the Polytechnic University of Milan)

“Cobalt blue mists become dense in the melancholic simplicity of Anna Bertuzzi, gifting us of a profound pictorial tension, which mysteriously floats through twirls of sudden breeze along with gigantic kinetic rotations. Chromatic whirlwinds of hidden presences shake the canvas to the core crystallising matter in sensual layers of tone, changing witnesses that reveal a vibrant cosmic energy, seeking for the most sensitive harmony.”

Prof. Gianluigi Guarnieri (Art critic and Professor at the Polytechnic University of Milan)

“She is a painter who lives and works in Modena. Her artworks are represented by a sort of duel between drawing and painting. Both techniques seem to be guided by an impulsive energy expressed through marks. Observing her work, it is like to step into a different world, looking for traces, throughout a path which has begun from a sensation of deep curiosity, where you can clearly feel an internal rhythm given by quick and dynamic impulses.”

Calogero Cordaro (Art critic and Director of the Art Magazine AS ART)

“Anna Bertuzzi’s technique follows the line of the 1900 – Arte Informale’s leaders such as Pollock, Afro and Vedova. In her works some chromatic combinations denote a stylistic personality directed towards pure expressiveness […] Some of the emotions she transports on the canvas are unique creatures delivered by her inner-self, such creatures are characterised by the ability to represent a particular view of things charged with strong emotions coming to life through the essence of chromatic rhythms and tonal harmony […] Finally, her painting speaks to us as a woman who strongly manifests her emotions in its purest form.”

Luigi Cerruti (Art critic and President of the Cultural Association VARAGGIO ART)